How To Describe A Kiss In Creative Writing

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There are every bit many ways to describe a kiss equally there are snowflakes in a storm. But if you want to create an constructive and well-written osculation, it's of import to prepare the scene and create a build up, besides as a strong clarification of the kiss itself, to ensure the kiss has emotional resonance to your reader or listener.

1. i

   Choose who is going to be kissing whom. Mayhap you have two characters that accept been circling each other for a long menstruation of time, or two characters who of a sudden realize their feelings for each other. Regardless, it's important to isolate which two characters in your story are going to pucker upwardly so yous can shift the point of view of the story to them.

   • Keep in listen you don't necessarily have to have two people kissing each other, as it could exist multiple characters kissing each other or ane person kissing themselves in the mirror. In any result, it'south a good idea to place the characters in the kissing scene.

2. two

   Determine where the kiss is going to have place. The setting for the kiss is important because the setting will inform the mood of the kiss.^[1] In writing, mood is a literary chemical element that evokes certain feelings or vibes in your audience through words and descriptions.^[2] Think of it as the temper your characters are moving around in or kissing in.

   • By figuring out the setting of the kiss, y'all can create a lot of unsaid significant. The setting will help you lot establish a certain mood or atmosphere, and you tin testify your audience a certain mood, as opposed to telling them.
   • For instance, a buss in a dark empty parking lot has a completely dissimilar mood or atmosphere than a buss at a political party. One setting implies a more than intimate mood and one setting implies a more exposed or open mood.

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3. 3

   Think about how the kiss is going to take place. Are your characters going to be lone or surrounded by others? Is one grapheme going to be more aggressive or eager for a kiss in the scene? Will both characters know the buss is coming or exist completely surprised by it?^[3]

   • This is a skilful moment to also think most how your characters are going to be positioned in the scene. Peradventure one person is going to be continuing beside someone else in a room. Or maybe both characters are going to be sitting side past side.
   • Recollect virtually the physical presence of your characters and how they are going to move effectually in the kissing scene.

4. 4

   Consider why the kiss is taking place. This is actually a chance for you to think nigh the motivations of your characters and why they would stop up kissing each other. If they hate each other throughout the story only suddenly end up in a deep, sensual kiss, this may not be very believable for the reader.^[4]

   • Re-evaluate how and why you have reached this point in the story where the characters are in a kissing scene. Did you establish their relationship well in the early stages of the story, so a osculation betwixt them makes sense? And if you are going for the element of surprise, ask yourself if you created enough graphic symbol details so the buss volition throw readers off guard but will not throw them out of the story.

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1. one

   Build on established conflicts between the characters. While information technology may be tempting to just throw two characters together into a locked room or night cave, where they will eventually resort to a kiss, a more effective technique is to use past conflicts or ongoing conflicts between the characters to create a convincing build up to the buss.^[five]

   • This could be a past dear that reappears in a character'southward life or a previous scene where one grapheme sees another character practise something that they discover attractive or compelling. Call up, a kiss is usually an indication of desire, so make sure your characters desire each other, if simply for a moment, to make the buss seem believable.
   • Don't fail all the hard work you've put into building up your characters. Instead, use characterization to your advantage and build off of previous conflicts or scenes to create build up.

2. two

   Put both characters within close proximity of each other. Now that you've established how a past conflict has led both characters to consider kissing each other, it's important to identify both characters within kissing distance.^[vi]

   • Yous can do this past having two characters accidentally crash-land into each other, or have one graphic symbol program to run into another character. At that place are many ways you lot tin move your characters physically and then they are in a setting and mood that feels appropriate for a kiss, but the signal is to get them close to each other.
   • Focus on the body movements of your characters. A quick, fast move towards each other will likely indicate intense longing or want, and a slower, more labored move towards each other volition likely signal a more unsteady or unsure passion between the characters.

3. 3

   Have i character discover something new or interesting near another grapheme. Because you now accept your characters within kissing distance, they have the opportunity to notice small details on the person's face or neck. Your characters are seeing each other in a new, intimate style, so reflect this by including concrete descriptions of something non noticed before.

   • For case, your character could notice the other character has a speck of green in their optics, a freckle on their nose, or a small birthmark on their neck.

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1. 1

   Employ the 5 senses. Rather than simply throw out a whole bunch of adjectives to describe the osculation, focus instead on how the kiss is affecting your character's sense of sight, sound, smell, touch on, and gustation. This volition make the descriptions feel specific to your character'due south point of view and ensure yous are hitting all the sensual aspects of the buss.^{[7] [8]}

   • Sight is probably i of the easiest senses to describe; simply write what the character is seeing during the kiss.
   • Sound could mean background racket like music at a party or the grapheme'south loud, excited heartbeats. Depending on the duration of the osculation, you could too include soft moans or other noises of pleasure (or disgust), as appropriate to your character.
   • Odor could be what your grapheme smells in the air or on the other person every bit they osculation them, such every bit perfume, cologne, or a natural smell.
   • Touch is a very of import aspect to describing a kiss. Focus on tactile details similar how the character's skin feels and how their lips feel.
   • Taste tin can be broad or very specific when describing a buss. Go along in mind describing a kiss as sweetness implies information technology was enjoyable and describing a kiss as sour or bitter implies it may not have been enjoyable at all.

2. 2

   Utilize body language. Think well-nigh how your characters are moving their bodies every bit they buss. Torso language volition also let your audience know how the characters are responding emotionally to the buss. A physical reaction similar pulling or pushing away from the kiss will imply different emotion than a physical reaction similar falling or relenting to the kiss. The easiest way to use body linguistic communication in the scene is to focus on the movements of specific body parts:^[ix]

   • Lips: perhaps the most important concrete item in a kissing scene, focus on the texture of the character's lips or how they experience confronting another grapheme'south lips.
   • Tongue: some other very important physical particular in a kissing scene that can betoken aggressive want (lots of natural language) or unsure, gentle desire (no tongue). Recollect about what blazon of kiss y'all're trying to convey and include or do not include tongue descriptions appropriately.
   • Heads: most people tilt their head to one side when they osculation. Of course, if you're going for a more awkward kiss, it may be beneficial to have a moment of bumping foreheads.
   • Eyes: are your characters' eyes opened or closed? Open eyes usually indicates a surprised reaction or a detached reaction. Consider the emotions of your characters and decide from there.
   • Noses: keep in mind that though your characters may tilt their heads when they kiss, their noses volition likely nevertheless brush against each other or against the side of their faces.
   • Hands and arms: during the buss, a character'southward hands could be upwards in the air (unremarkably indicating an unwelcome or surprised osculation) or wrapped effectually the grapheme's body (usually an indication of an enjoyable kiss). They could also run their fingers through a graphic symbol's hair, concur the back of their caput, rub their lower back, etc.

3. 3

   Hash out how the kiss ends. Your characters tin can't lock lips forever! Somehow, i grapheme or both characters have to pull abroad from each other, or be interrupted and be forced to pull abroad from each other.^[10]

   • If the kiss happens early on in your story, you lot will likely need another conflict to arise to complicate the buss and create plenty tension to keep your audience interested.^[11]
   • If the kiss happens towards the end of your story, think nearly how your characters might feel afterwards the kiss and how the kiss affects their emotions towards the other character.

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Add New Question

• Question

  At what point has a kiss gone on for too long?

  

  If you're just pressing your lips against someone else'due south (rather than moving them/making out), then a few seconds is best. If you lot're making out, then yous can buss as long equally you want to.

• Question

  Is the offset chapter likewise early for a osculation scene?

  

  Non as long as you lot exercise something to keep your readers interested. If the couple is sharing their first osculation, y'all may want to make certain information technology will affect the reader's emotions and reactions. What you don't want is a meaningless buss. If the couple has been together for a while, then you should create some sexual tension subsequently in the story or conflict that complicates the kiss.

• Question

  Can the ii people do something else after?

  

  Yes. They can cover or cuddle and talk. If the kiss is a segue into intercourse, some writers might prolong the scene with a bit of descriptive foreplay. Non if the kiss was unexpected, though. Later on describing the sensation, I notice it best to separate the 2 and end the scene with them gazing affectionately at each other in confusion. Again, it would depend on the situation.

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• One of the best ways to get better at describing a kiss is to look for kissing scenes washed by other writers that seem effective to yous as a reader. Imitate or mimic the set up, build upwardly, and descriptions used to practise creating a skillful kissing scene.

• Depending on what audition yous are aiming for, y'all may not desire to include any detailed descriptions of French kissing, equally it might seem inappropriate for a younger audience. Describe what your characters are feeling rather than what exactly they are doing.

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Article Summary X

To describe a kiss, replace excess adjectives with descriptions of what the characters are feeling through all v of their senses. That could include things similar the background noise of a party, the scent of the other person'due south perfume, or the softness of the other person's skin. Apply body language to build on that by showing how the characters are reacting to the buss. To attain that easily, describe how they are moving specific parts of their body, like what they are doing with their easily or whether they pull away. If you desire to learn how to set a scene for your characters, keep reading the article!

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